It’s near impossible to be in a bad mood while watching Hoodie Allen goof off and have a genuinely good time performing. During the performance, he called out fans who knew the words to his songs by pointing them out to everyone or even yelling out to acknowledge them. He continued to employ a more sing-song style of rap with fully sung choruses as he always has. That being said, “The Hype” fits in well with Hoodie Allen’s older music. His older music, while still upbeat and fast, was less centered on EDM beats and computer-generated music. The older songs he sang, like “Small Town” and “No Interruption,” were throwbacks for Hoodie Allen fans, and their faster beats and heavier rap style gave him a chance to show off his fast-talking skills.Įven though the Hype Tour centers on his new album, “The Hype,” Hoodie Allen played a lot of music from his previous albums. “Sushi” and “Something Dangerous” are particularly catchy, with longer vocal sections, making it easy for the audience to join in. He also played “Fakin,” “Sushi,” “Know It All” and “Something Dangerous” from his new album, “The Hype.” Those songs are the more upbeat and party-centered tracks of the album. Hoodie Allen played a variety of songs at his concert, with a heavier focus on his older albums like “All American,” a smashing, rough pop album whose crackling synths swelled to even greater life in the concert hall and “Crew Cuts,” an edgy, fun and fast paced album that received tons of appreciation from the crowd Those songs’ structure displayed his signature rapped verses and sung choruses, and were fun for the audience, which was clearly familiar with them. His songs focus on fame, money and sex and include enough curse words to merit parental advisory warnings. Hoodie Allen’s genre is fast, challenging rap that’s attainable with practice and a little skill - the lyrics are just dangerous enough to make you feel rebellious but not so mature that someone would be scared away. Allen surfed the crowd, threw actual cakes into the audience during his song “Cake Boy” and called a lucky fan on stage from his phone designated specifically for communicating with fans. One of the perks of having a smaller venue: Allen had the ability to actually speak with several audience members. He tailored the show to the audience by asking fans whether they wanted more of his older music and taking into account the audience’s reactions to certain songs. He filled the space in between songs with fun banter with the bandmates and audience members about his songs and experiences at other shows. His dancing and jumping set an attainable, high energy level for the audience. He moved around the stage enough to keep it interesting but not so much that he was difficult to follow.
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Not only does he sound almost exactly as he does in recordings, but he also knows how to command a stage and hold a crowd’s attention.
His band was technically talented, and he joked around with them frequently throughout the show. I love live music and appreciate seeing actual instruments rather than a man on a computer. The presence of an actual, live band was one of the biggest, and best, surprises for me. When Hoodie Allen finally came on stage, the energy changed from one of numb boredom to utmost excitement. Luke Christopher was less successful at hyping the crowd up and lost control of the mosh pit, as most people stood still and became distracted by their phones. He frequently spoke directly with the audience, made eye contact with as many people as possible and assigned the audience specific dance moves to keep everybody interested. He had the energy and boyish charm of a rap-style-Shawn Mendes and knew how to play a crowd. Parrish, a young guy with the looks and comic charm of a Vine star, was surprisingly fun.
The openers, Myles Parrish and Luke Christopher, played rap songs similar in style to Hoodie Allen’s music. The audience consisted mostly of older teens, a few people who seemed to be legally drinking and, the clear majority, young women. It was a little empty when I arrived, but began filling up closer to 10:10 p.m. The concert was held at Center Stage, a smaller venue with seating and a small empty area right in front of the stage that the audience would later use as a mosh pit. He brought his aura of pure fun to Atlanta Nov. Steven Markowitz, known professionally as Hoodie Allen, has a certain ability to connect with an audience - watching him on stage feels like meeting him one on one. The charm of Hoodie Allen is not only his ability to live up to his fast-talking, smooth-singing songs but also his undeniable love for what he does.
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